“Many of my movies have strong female leads–brave, self-sufficient girls that don’t think twice about fighting for what they believe in with all their heart. They’ll need a friend, or a supporter, but never a saviour”


TV MEME → [3/5] Favorite Shows - Friday Night Lights

Every man at some point in his life is gonna lose a battle. He’s gonna gonna fight and he is gonna lose. But what makes him a man is that in the midst of that battle, he does not lose himself.

He loves to continue to torture me. I’ll be sitting there, five o’clock in the morning in the makeup wagon having a lovely chat with the hair people, and he’ll come in and say, “Yeah, I watched Beverly Hills Chihuahua this weekend with my kids. You look like the chihuahua.” I’m like, “Okay. First of all, ‘Morning.’ Second of all, that’s pathetic. Thirdly, what’s your problem?” It’s a complete delight.

  • Guy 1: no, niggah, gay bros can raise babies. Look at that warthog motherfucker and that ferret thing that raised Simba. And that niggah became king of motherfucking Africa.

Men still have trouble recognizing that a woman can be complex, can have ambition, good looks, sexuality, erudition, and common sense. A woman can have all those facets, and yet men, in literature and in drama, seem to need to simplify women, to polarize us as either the whore or the angel. That sensibility is prevalent, even to this day.

I had to reconcile the real person and the character of Anne Boleyn as created in the text. For the actor, the text is your bible. You can try to put a spin on the nuances, but in the end our job is to be the vehicle of the text. But I got tired of flying the flag of Showtime in interviews, [justifying the show’s sexuality and inaccuracies] when in the pit of my stomach, I agreed wholly with what the interviewer was saying to me. I lost many hours of sleep, and actually shed tears during my portrayal of her, trying to inject historical truth into the script, trying to do right by this woman that I had read so much about. It was a constant struggle, because the original script had that tendency to polarize women into saint and whore. It wasn’t deliberate, but it was there.

I begged Michael Hirst to do it right in the second [season]. He listened to me because he knew I knew my history. And I remember saying to him: `Throw everything you’ve got at me. Promise me you’ll do that. I can do it. The politics, the religion, the personal stuff, throw everything you’ve got at me. I can take it.’ I wanted to show that she was a human being, a young woman placed in a really difficult and awful situation, manipulated by her father, the king, and circumstances, but that she was also feisty and interesting and had a point of view and tried to use her powers to advance what she believed in. And I wanted people to live with her, to live through her. To see her.

Natalie Dormer, discussing the difficulty of giving an accurate portrayal of Anne Boleyn on The Tudors (x)


Designed by Keorattana Luangrathajasombat,
winner of the Re-Covered Film Poster contest at The Fox Is Black.

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